Crosscurrents: Modern Art From the Sam Rose and Julie Walters Collection Wichita Edward Hopper's mechanical row of

Edward Hopper's mechanical row of brownstones and their anonymous inhabitants convey the loneliness of modern life

1914–1918 explores the little studied phenomenon of American print makers and their artistic responses to the watershed cataclysm of WWI

and Tom Wesselmann that illustrate the complexity and energy of a distinctly American modernism

or blue finish

Cassatt intertwines her figures through color and line

Crosscurrents: Modern Art From the Sam Rose and Julie Walters Collection Wichita Edward Hopper's mechanical row ofIn eighty eight striking paintings and sculptures, Crosscurrents explores nuances of modernism that new art advanced by Picasso, Leger, and others in Europe and by O'Keeffe, Stella, Marin, and Nadelman in the United States more than a hundred years ago. Private collections Same Rose and Julie Walters share artworks that capture modernism as it moved from early abstractions by O'Keeffe, to Picasso and Pollock in midcentury, to pop riffs on contemporary