Autolux: Live at Third Man Records Boris photographs
Autolux: Live at Third Man Records Boris photographsThird Man Records has a theory: It's impossible not to like Autolux. Because Carla Azar. Because of the soundtrack of the otts symphony of their first two records. Because of their release PUSSY'S DEAD, which sounds more like the future than the score to TRON. Because two of the band's members met while composing the music for a Nobel prize winner's play. Because Danger Mouse's 30th Century Records is their new label home (and we love us some Danger
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